(cont'd)
Gray, and production manager Cheryl M. Greenhouse
worked closely with the D.C. Film Commission and the
Parks Department to secure the proper permits and licenses
in order to allow us to shoot at the monuments and parks
around D.C. DP John Cooper was strapped into his Steadi-
cam outfit for most of this shoot. For those of you who aren't
familiar with the Steadicam, it consists of a vest/harness
worn by the operator connected to a mechanical arm which
is connected to the "sled" upon which the camera is