The ORANGE LINE was the last line we wrote and Christian
and I, unlike the other lines, wrote it together from start
to finish. It was very different from the other lines
because of its structure. The first half had virtually
no dialogue and was a kind of surreal, visual journey
through DC. The second half was the meat of the story.
The trick here was to keep the pace of the first half moving
and still get out enough character information so the second
half of the story made sense to the audience. To make this task
all the more difficult, we were unable to get four of our main locations